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This project seeks to establish a strategy for commoning the formerly public, now private land around Epping Forest, creating a publicly owned landscape that centres community management and rights to the forest.
Following Stavros Stavidres’ work on the ‘commons’ and the act of commoning, my project uses commoning as a verb that describes a process through which space continues to change, as opposed to creating a public space managed and preserved by an authority.
Focusing on Chingford Golf Course, a private golf course managed by the City of London, this project proposes commoning as a means of rewilding and restoring land whilst still allowing for public access, and community and public determination of the land through a new management system that reinstates historical rights to the forest.
Recognising the history of lopping at Epping Forest, the project puts process, material and the utilisation of local resources at the heart of design decisions. Challenging traditional landscape drawing representation, this work explores using printmaking, collaborative drawing, and filmmaking as a means of representing negotiation, adaptation and self-determination within landscapes.
This work combines a traditional render of the proposal with experimental printmaking developed to capture the project’s commoning strategy. Printmaking was a way of exploring moments of contestation or negotiation within the project.
Working with material taken from site, these studies explore how clay, earth and timber can drive design decisions. Working with this palette, the project creates landscape components that can be adapted over time by the local community.
Using Wild Epping Clay, the project hosted community workshops to create tiles cast around the shape of participants’ thighs. These were smoke finished at a communal bonfire at Flimwell. Oxides and food waste are used to colour the clay bodies.
Recognising the history of lopping at Epping Forest that historically guided this relationship between commoner and management of the forest, the project centres process, material and the utilisation of locally resources to lead design decisions.
Challenging traditional landscape drawing representation, this work explores using printmaking, collaborative drawing, and filmmaking as a way of representing negotiation, adaptation and self-determination within landscapes.